Skyfall (2012), Sam Mendes
- IMDB.COM: Rating: 7.9 (223,000+ votes); Metascore: 81 (40+ critics)
- ROTTEN TOMATOES: Tomatometer: 92% (259-282)
- TOP7 NEWSPAPERS: 88 AVG, three 4-star reviews
(L. Schwarzbaum, Ent. Weekly; P. Debruge, Variety; R. Ebert, Chicago Sun-Times)
You’ve probably all seen Skyfall by now. You’re also aware that it was both huge box office hit (earning over one billion dollars worldwide) and one of the most critically acclaimed pictures of the year (earning four stars from such distinguished names as Ebert, Debruge, Schwarzbaum, etc.). I won’t debate that. On the contrary: Instead of providing standard piece of review, I’ll state some of the more explicit advantages which combination made the 23rd installment one of the best ever, if not the best. Title: Skyfall, as cool as it gets, named after Ian Fleming’s ancestral Scottish home. Directing: Sam Mendes, Academy Award Winner, the creator of American Beauty and Revolutionary Road, the first big directorial name in the franchise. Screenwriting: John Logan, 3 times Academy Award nominee, the writer of the Gladiator and The Aviator, with a knack for smart spectacles. Cast: Apart from Daniel Craig (never better as James Bond, whose full development of the role Mendes enabled by putting M at the center of the plot), we have Javier Bardem as Bond’s (ultimate) antagonist; flawless Judy Dench in her last role as M, much anticipated intro of Ralph Fiennes as former lieutenant colonel Gareth Mallory and future Head of MI6 (born for the role); Ben Whishaw as young Q and immortal Albert Finney as Kincaid, the housekeeper of Skyfall estate. Cinematography: Roger Deakins, 10 times Academy Award Nominee, close associate of Coen Brothers, also the photographer of such film as Mountains of the Moon and The Assassination of Jesse James. Original score: Thomas Newman, 11 times Academy Award nominee, close associate of Mendes, also the author of soundtracks for The Shaw- shank Redemption and Finding Nemo. Original song: ”Skyfall” by Adele, an Oscar favorite, the best unofficial Bond theme song of all time performed by the greatest young diva in today’s music. And if that isn’t enough, the Cold war spy genre of the Goldfinger origins incorporated elements of modern action greats (Nolan’s Knight, Greengrass’ Bourne) and evolved into a hybrid prototype for every future sequel about Agent 007.
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